Some romantic comedies concentrate on romance at the expense of comedy, but Crocodile Dundee is not one of them. The film is brilliantly funny, especially in the second half when the action moves to New York. The main source of the humour is Paul Hogan's title character. Mick is a rough diamond, but decent, kindly and good-hearted. Most of the laughs arise from his innocent misunderstanding of the seedier aspects of life in the big city- there are jokes at the expense of prostitutes, criminals like the muggers who flee when they see Mick has a bigger knife than they have ("That's not a knife. THAT'S a knife!"), transvestites (one of whom Mick mistakenly tries to chat up), drug takers (Mick thinks cocaine is a cure for blocked sinuses) and psychiatrists ("Haven't you got any mates to talk to?") This last sentiment touched a chord in Britain, ever suspicious of the American obsession with psycho-analysis. Mick may be apolitical, but he is also politically incorrect- much of the humour is aimed at the culture of political correctness, just starting to burgeon in the mid-eighties. There are jokes about race and gender, and Dundee is not only a drinker but also a heavy smoker. (And this during a decade when smoking was almost banished from the screen).
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